Inspired, connected, generous and intuitive, Laura Harris exemplifies and champions the crafting of a creative life. Laura has inspired countless people to rewrite their stories and honour the creative being that resides deep in their soul. Her paintings are described as beautifully imperfect, and have the ability to stir powerful emotions, speaking to an inner voice often ignored. Often large in scale with strikingly bold colours and texture, each piece offers discovery. Her process is rooted in memory and imagination, and her emotions are palpable. When she’s at work, Harris becomes utterly engrossed in her practice. It’s a fully physical task with music turned up loud and paint flying. Laura applies the same love and abandon to all other areas of her life.

"I try and create what I ache for. Painting for me is is not work, it's an essential part of living."

Harris' is a positive oeuvre, but there are contrasts in texture and hue that suggest the opposition of forces. Exuberant, sensual, and often surprising, Laura’s images are known and prized for their irresistible energy. Her relationship with light has been compared to that of Turner. As a young child, the Canadian artist learned drawing techniques from her father, who preferred realism but encouraged freedom of expression. Laura currently lives and works in Victoria, BC where her family has roots run generations deep. Her work is exhibited in galleries across Canada and collected worldwide. Corporate clients include Mercedes Benz, The Ritz Carlton, The Keg and Canaccord.

"Harris is the Nigella Lawson of painting, creating without recipes."  Linda Rogers

"Her work rocks people's souls a little…. it reaches out and pulls them in."  Michelle Kirkegaard

"Despite the sheer gorgeousness of her colours and the insouciance of her line - dripped, brushed or thrown into place with abandon - larger issues seem to be coming forth from the canvases."  Robert Amos

"Little joy, a little sorrow and always the relentless flow of positive and negative energy. Working from molded under-painting that is felt rather than thought, she makes texture the architecture of her responsive oeuvre, which compels the hand and the eye, revealing that touching is a multi-sensory experience, engaging flesh and spirit."  Linda Rogers